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A staging of a young man's liberation from his bourgeois confinement using only music and sounds.

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What happens when “old” and “new work” collide? Barbara Lucke was the grand dame of the works council at Sander Versandhaus for decades. Now, after 30 years, she is unexpectedly voted out of office, loses her leave of absence and has to return to her old job as a former clerk shortly before retirement - in the department of her son Bastian, of all places, who as an up-and-coming department head wants and needs to impress with modern leadership.

Thomas has a problem: the single man has crashed a borrowed Ferrari into the wall without insurance and now needs a lot of money to pay for the damage. When he accidentally runs in front of the convertible of likeable photographer Lisa and ends up in hospital with minor injuries, his chaotic brother Andi has the idea that saves the day: a lawsuit for compensation for pain and suffering! The only unfortunate thing is that Andi forges the certificate for impotence of all things.

Father Brown is only too happy to interfere with the work of the police in solving tricky criminal cases, usually with resounding success. That's why the clergyman is transferred to a sleepy island called Abbott's Rock. At first, nothing happens there, but somehow Father Brown seems to be attracted to crime: Soon a gang of thieves is up to no good on the island. So Brown makes the headlines again, and is punitively transferred once more. This time he finds himself in a quiet Irish millionaire community.

When Graz lawyer Brigitte learns that her only daughter Anna-Lena not only wants to marry a man decades her senior, but that he also turns out to be Brigitte's childhood sweetheart, Austropop rock star Richie, she wants to prevent the wedding at all costs. Together with Richie's son Michael, she concocts a plan for Michael to steal his own father's wife. But Michael is anything but Anna-Lena's dream man. An amusing Graz city comedy with a first-class cast.

暂无剧情简介

TV post-war drama about a gruesome chapter of the Nazi era. Nadja Uhl reveals "wild" euthanasia in psychiatry. Oldenburg, 1948: For Margaret Oelkers (Uhl) and her two little sons, the pension is not enough as a war-wittwe behind and in front. But the authorities are working hard, not even because of their lack of credentials on the employment of their killed in the war. After an energetic appearance at the office, she is briefly put into the psychiatry of the Wehnen nursing home as a trainee. The consequences are bitter: one attests to their schizophrenia, takes away the children and brings them to the sister in the country. For a year, Margarete was kept in the hospital against her will, and forced to do so with electric shocks. After her release, she was placed under the guardianship of her neighbor Erich Windhorst (Martin Wuttke), a man with an SS past...